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Common version of the motif from Mysterioso Pizzicato Play ⓘ. Mysterioso Pizzicato, also known as The Villain or The Villain's Theme, is a piece of music whose earliest known publication was in 1914, when it appeared in an early collection of incidental photoplay music aimed at accompanists for silent films.
Pages in category "19th-century songs" The following 94 pages are in this category, out of 94 total. This list may not reflect recent changes. A.
Novelty songs were popular on U.S. radio throughout the 1970s and 1980s, to the point where it was not uncommon for novelty songs to break into the top 40. Freeform and album-oriented rock stations made use of novelty songs; some of the best-known work from progressive rocker Frank Zappa , for instance, is his extensive body of mostly adult ...
Music hall songs were sung in the music halls by a variety of artistes. Most of them were comic in nature. There are a very large number of music hall songs, and most of them have been forgotten. In London, between 1900 and 1910, a single publishing company, Francis, Day and Hunter, published between forty and fifty songs a month.
While in Ukrainian folklore tradition the murder ballad genre is not as distinct though there are few folk songs that definitely stand out. One of them is the very popular song from the 18th century called "Oi Ne Khody Hrytsiu" ("Don't Go to Party") written by a semi-legendary poet and singer Marusia Churai. In the song a girl named Hanna being ...
"The Rose of Tralee" – a 19th-century County Kerry song credited to C. (or E.) Mordaunt Spencer with music by Charles William Glover [9] "The Rose of Clare" ("Lovely Rose of Clare") – written by Chris Ball [70] "The Rose of Mooncoin" – a County Kilkenny song, written in the 19th century by a local schoolteacher and poet named Watt Murphy [9]
Many 19th-century nocturnes and intermezzi are character pieces as well, including those of Chopin and Brahms, respectively. Large sets of many individual character pieces, intended to be played as a single piece of music, were not uncommon; Schumann's many works of this form (including Kreisleriana and Carnaval ) are the best known examples.
The collection of love, soldiers, wandering, and children's songs was an important source of idealized folklore in the Romantic nationalism of the 19th century. Des Knaben Wunderhorn became widely popular across the German-speaking world; Johann Wolfgang von Goethe , one of the most influential writers of the time, declared that Des Knaben ...