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The twelve-tone technique—also known as dodecaphony, twelve-tone serialism, and (in British usage) twelve-note composition—is a method of musical composition.The technique is a means of ensuring that all 12 notes of the chromatic scale are sounded equally often in a piece of music while preventing the emphasis of any one note [3] through the use of tone rows, orderings of the 12 pitch classes.
Download as PDF; Printable version; ... Pages in category "Twelve-tone technique" The following 7 pages are in this category, out of 7 total. ... Media in category ...
The main debt of this system to the 12-tone system lies in its use of an ordered linear succession in the same way that a 12-tone set does". [ 6 ] In 1968, Perle cofounded the Alban Berg Society with Igor Stravinsky , and Hans F. Redlich , who had the idea (according to Perle in his letter to Glen Flax of 4/1/89 [ citation needed ] ).
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Variations for Cello and Orchestra [7] Leonard Rosenman. The Cobweb (1955) [1] Humphrey Searle. All works from the Intermezzo for eleven instruments, Op. 8 (1946), onwards [10] Roger Sessions. Virtually all published works after 1953 (exceptions include his Mass, and the twelve-tone technique used rarely follows Schoenberg's system) Karlheinz ...
Copland said that the twelve-tone technique "freshened his harmonic palette" and that the composition uses two different tone rows. [6] Discussing Connotations (1962), he said, "As a result [of using the twelve-tone technique] I began to hear chords I wouldn't have heard otherwise; here was a new way of moving tones about that had a freshening ...
Variations for Orchestra, Op. 31 (1926–28) is an orchestral set of variations on a theme, composed by Arnold Schoenberg and is his first twelve-tone composition for a large ensemble. Premiered in December 1928 by the Berlin Philharmonic conducted by Wilhelm Furtwängler , it was greeted by a tumultuous scandal.
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