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The vertical plan of early Gothic cathedrals had three levels, each of about equal height; the clerestory, with arched windows which admitted light on top, under the roof vaults; the triforium a wider covered arcade, in the middle; and, on the ground floor, on either side of the nave, wide arcades of columns and pillars, which supported the weight of the ceiling vaults through the ribs
A hammer-beam is a form of timber roof truss, allowing a hammerbeam roof to span greater than the length of any individual piece of timber.In place of a normal tie beam spanning the entire width of the roof, short beams – the hammer beams – are supported by curved braces from the wall, and hammer posts or arch-braces are built on top to support the rafters and typically a collar beam.
The Smiling Angel. The Smiling Angel (French: L'Ange au Sourire), also known as the Smile of Reims (Le Sourire de Reims) or Angel of the Annunciation, is a stone sculpture at the cathedral of Reims. Sculptors that were pioneers of the Gothic style came from workshops in Chartres, Paris and Amiens to work on the Reims Cathedral. [1]
In Gothic architecture, particularly in the later Gothic styles, they became the most visible and characteristic element, giving a sensation of verticality and pointing upward, like the spires. Gothic rib vaults covered the nave, and pointed arches were commonly used for the arcades, windows, doorways, in the tracery , and especially in the ...
A pointed arch, ogival arch, or Gothic arch is an arch with a pointed crown meet at an angle at the top of the arch. [1] Also known as a two-centred arch, its form is derived from the intersection of two circles. [2] This architectural element was particularly important in Gothic architecture.
The rose window was made sixty years later, in 1215, after the 1195 fire, with the new cathedral's nave higher. Its centre shows Christ the Judge showing his windows, angels and the four beasts from the Book of Revelation. Above are Abraham and the Elect, whilst below are souls being weighed and the twelve apostles.
Angevin kings brought the Gothic tradition from France to Southern Italy, while Lusignan kings introduced French Gothic architecture to Cyprus. Hall of the Knights - Krak des Chevaliers, County of Tripoli, Syria. Throughout Europe at this time there was a rapid growth in trade and an associated growth in towns.
The International Gothic style, which appeared in the first half of the 15th century, was the final form of European Gothic, which borrowed from French, Dutch and German artists, and influenced the English style. German engraving and Flemish painting of the period had a particular influence on stained glass, not only in England but across Europe.