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There are numerous biblical references in the lyrics. [5] A spoken portion from Revelation 6:1–2 in the King James Version [6] introduces the song. [7] The passage describes the coming of the Four Horsemen of the Apocalypse, each heralded by one of the "four beasts" first mentioned in Revelation 4:6–9.
The spiritual in turn is Biblical, coming from Revelation 6:1-8. There, the Four Horsemen of the Apocalypse are the Conqueror on a white horse, War on a red horse, Famine on a black horse, and Death on a pale horse. Porter herself said that the title story was about the pale rider, Death, who takes away an entire era, as illustrated in the ...
The second carries a sword and rides a red horse as the creator of (civil) war, conflict, and strife. [4] The third, a food merchant, rides a black horse symbolizing famine and carries the scales. [5] The fourth and final horse is pale, upon it rides Death, accompanied by Hades. [6] "They were given authority over a quarter of the Earth, to ...
Pale Rider is a 1985 American Western film produced and directed by Clint Eastwood, who also stars in the lead role. The title is a reference to the Four Horsemen of the Apocalypse, as the pale horse's ghost rider (Eastwood) represents Death. The film, which took in over $41 million at the box office, became the highest-grossing Western of the ...
This rider represents the antichrist who will head the revived Roman Empire at the end of history. [19] Idealist view. This rider is a symbol of the progress of the gospel of the conquering Christ mentioned in Rev. 5:5; 19:11–16. [19] Church of Jesus Christ of Latter Day Saints view. The period involved is from 4000 B. C. to 3000 B. C.
Revelation 6 is the sixth chapter of the Book of Revelation or the Apocalypse of John in the New Testament of the Christian Bible. The book is traditionally attributed to John the Apostle, [1] [2] but the precise identity of the author remains a point of academic debate. [3] This chapter describes the opening of the first six of the seven seals ...
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Considering the 15 woodcuts, The Four Horsemen of the Apocalypse (c. 1497–98), [7] referring to Revelation 6:1–8, [8] is often viewed as the most famous piece. The overall layout of the cycle has the illustrations on the recto (right) and the text on the following verso (left). This would suggest the importance of illustration over text. [4]