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That Woman Opposite (U.S. title: City After Midnight; also known as Woman Opposite) is a 1957 British crime drama, directed by Compton Bennett and starring Phyllis Kirk, Dan O'Herlihy and William Franklyn. [1] The screenplay, by Bennett, was adapted from John Dickson Carr's 1942 novel The Emperor's Snuff-Box.
Bosley Crowther of the New York Times called the film "a cynical farce of elaborate and sustained cheapness" that "deserves to be quoted as a classic of dullness" and observed, "Without taking sides in a controversy of such titanic proportions, it is no more than gallantry to observe that if Bette Davis had not effectually espoused her own ...
In a culture obsessed with being “interesting,” embracing dullness is a bit of a wink — a lighthearted countercultural stance in which the joke is on the mainstream.
A. After all, tomorrow is another day; Ah, phooey! All right Mr. DeMille, I'm ready for my close-up; All those moments will be lost in time, like tears in rain
You might be surprised by how many popular movie quotes you're remembering just a bit wrong. 'The Wizard of Oz' Though most people say 'Looks like we're not in Kansas anymore,' or 'Toto, I don't think
“You can kid the world, but not your sister.” — Charlotte Gray “She’s always there for me when I need her. She’s my best friend. She’s just my everything.”
Misquote Actual line(s) Character Actor/actress Film Year Well, here's another fine mess you've gotten us into. [2]Well, here's another nice mess you've gotten me into.
The plots of female buddy films can share the same concept of male buddy films—opposite personalities go on an adventure or journey of sorts—or they can concern an ensemble group of women. Female buddy films gained popularity in the 1960s from the emergence of the woman's film and the male buddy film genres. [1]