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  2. They Will Kill Us All (Without Mercy) - Wikipedia

    en.wikipedia.org/wiki/They_Will_Kill_Us_All...

    The music video for "They Will Kill Us All (Without Mercy)" was directed by Mike Piscitelli. [3] It depicts an African American man in a heavy jacket walking through Los Angeles, lip syncing the song's lyrics while dancing and making exaggerated gestures to the music. The band members appear as extras whom the man bumps into or passes on the ...

  3. What to Know About Y2K, Before You Watch 'Y2K' - AOL

    www.aol.com/know-y2k-watch-y2k-191144610.html

    After a news conference, Rep. Stephen Horn, R-Calif., chairman of Government Management, Information & Technology, examines a chart showing his grades for each agency's progress on the Y2K ...

  4. List of musical symbols - Wikipedia

    en.wikipedia.org/wiki/List_of_musical_symbols

    A chord is several notes sounded simultaneously. Two-note chords are called dyads, three-note chords built by using the interval of a third are called triads. Arpeggiated chord A chord with notes played in rapid succession, usually ascending, each note being sustained as the others are played. It is also called a broken chord, a rolled chord ...

  5. List of chord progressions - Wikipedia

    en.wikipedia.org/wiki/List_of_chord_progressions

    Contact us; Contribute Help; Learn to edit; Community portal; Recent changes; Upload file; Special pages; ... IV-V-I-vi chord progression in C major: 4: Major I–V ...

  6. Locked hands style - Wikipedia

    en.wikipedia.org/wiki/Locked_hands_style

    The locked hands technique requires the pianist to play the melody using both hands in unison. The right hand plays a 4-note chord inversion in which the melody note is the highest note in the voicing. The other 3 notes of the chord are voiced as closely as possible below the melody note, which is the definition of a block chord. [1]

  7. Mystic chord - Wikipedia

    en.wikipedia.org/wiki/Mystic_chord

    In jazz music, on the other hand, such chords are extremely common, and in this setting the mystic chord can be viewed simply as a C 13 ♯ 11 chord with the fifth omitted. In the score to the right is an example of a Duke Ellington composition that uses a different voicing of this chord at the end of the second bar, played on E (E 13 ♯ 11 ).