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The other 3 notes of the chord are voiced as closely as possible below the melody note, which is the definition of a block chord. [1] The left hand doubles the melody note one octave lower. To achieve this result, the pianist's hands must be placed close together on the keyboard and both hands move simultaneously in the same direction.
A chord is several notes sounded simultaneously. Two-note chords are called dyads, three-note chords built by using the interval of a third are called triads. Arpeggiated chord A chord with notes played in rapid succession, usually ascending, each note being sustained as the others are played. It is also called a broken chord, a rolled chord ...
Approach chord; Chord names and symbols (popular music) Chromatic mediant; Common chord (music) Diatonic function; Eleventh chord; Extended chord; Jazz chord; Lead sheet; List of musical intervals; List of pitch intervals; List of musical scales and modes; List of set classes; Ninth chord; Open chord; Passing chord; Primary triad; Quartal chord ...
After a news conference, Rep. Stephen Horn, R-Calif., chairman of Government Management, Information & Technology, examines a chart showing his grades for each agency's progress on the Y2K ...
The music video for "They Will Kill Us All (Without Mercy)" was directed by Mike Piscitelli. [3] It depicts an African American man in a heavy jacket walking through Los Angeles, lip syncing the song's lyrics while dancing and making exaggerated gestures to the music. The band members appear as extras whom the man bumps into or passes on the ...
Contact us; Contribute Help; Learn to edit; Community portal; Recent changes; Upload file; Special pages; ... IV-V-I-vi chord progression in C major: 4: Major I–V ...
The Grandmother chord is an eleven-interval, twelve-note, invertible chord with all of the properties of the Mother chord. Additionally, the intervals are so arranged that they alternate odd and even intervals (counted by semitones) and that the odd intervals successively decrease by one whole-tone while the even intervals successively increase by one whole-tone. [13]
The phrase had appeared five years earlier in the novel Hopscotch by Julio Cortázar; "...and Ronald was left alone at the piano, with all the time in the world to woodshed some of his bop ideas or to kill us softly with some blues." Gimbel expanded on Lieberman's notes, fleshing them out into song lyrics.