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DApps also have a public, decentralised blockchain that is used by the application to keep a cryptographic record of data, including historical transactions. [ 4 ] Although traditional DApps are typically open-source, DApps that are fully closed-source and partially closed-source have emerged as the cryptocurrency industry evolves.
The bow used for playing some string instruments (i.e. played with the bow, as opposed to pizzicato, in music for bowed instruments); normally used to cancel a pizzicato direction aria Self-contained piece for one voice usually with orchestral accompaniment (which may be provided by a pianist using an orchestral reduction) arietta A short aria ...
DAPP, a compound used as a radioligand that binds to the serotonin transporter Data Acquisition and Processing Program , former name of the US Defense Meteorological Satellite Program Decentralized application (DApp, dApp, Dapp, or dapp), a computer application
Decentralized applications are key to moving forward the promises of the so-called Web3.
Musical historicism signifies the use in classical music of historical materials, structures, styles, techniques, media, conceptual content, etc., whether by a single composer or those associated with a particular school, movement, or period.
In vocal music, contrafactum (or contrafact, pl. contrafacta) is "the substitution of one text for another without substantial change to the music". [1] The earliest known examples of this procedure (sometimes referred to as ''adaptation'') date back to the 9th century used in connection with Gregorian chant.
After 1960 he became more interested in philosophies of music history, due in large part to his publication of a general music history textbook, A History of Western Music. A ninth edition of the book was published in 2014; after Grout's death, the new editions were revised by Claude Palisca and J. Peter Burkholder. [2]
According to Andranik Tangian, [7] analytical phrasing can be quite subjective, the only point is that it should follow a certain logic. For example, Webern’s Klangfarbenmelodie-styled orchestral arrangement of Ricercar from Bach’s Musical offering demonstrates Webern’s analytical phrasing of the theme, which is quite subjective on the one hand but, on the other hand, logically consistent: