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Advertisement for the Organ Sonatas in the Musical World, 24 July 1845. Felix Mendelssohn's six Organ Sonatas, Opus 65, were published in 1845. Mendelssohn's biographer Eric Werner has written of them: "Next to Bach's works, Mendelssohn's Organ Sonatas belong to the required repertory of all organists." [1]
Op. Posth. 91, Psalm XCVIII ("Sing to the Lord a new song") for choir, orchestra, and organ (1843) (MWV A 23) Op. Posth. 92, Allegro brillant in A major for piano, four hands (1841) (MWV T 4) Op. Posth. 93, Oedipus at Colonos, incidental music for narrators, soloists, double male chorus and orchestra (1845) (MWV M 14)
Jakob Ludwig Felix Mendelssohn Bartholdy [n 1] (3 February 1809 – 4 November 1847), widely known as Felix Mendelssohn, [n 2] was a German composer, pianist, organist and conductor of the early Romantic period. Mendelssohn's compositions include symphonies, concertos, piano music, organ music and chamber music.
Drei Motetten (Three motets), Op. 39, is a collection of three sacred motets for women's voices and organ by Felix Mendelssohn. Composed in 1830 for different liturgical occasions and in different scoring, they were published together in 1838.
Chamber music by Felix Mendelssohn (3 C, 12 P) Choral compositions by Felix Mendelssohn (3 C, 4 P) ... On Wings of Song (Mendelssohn) Organ Sonatas (Mendelssohn) S.
Mendelssohn – Organ Sonatas, Op. 65; Reger – Zwölf Stücke, Op. 65; Saint-Saëns – Septet in E ♭ major; Schumann – Ritornelle in canonischen Weisen (7 canonic part songs) Shostakovich – Symphony No. 8; Sibelius – The Bells of Kallio Church (Kallion kirkon kellosävel), transcription for solo piano (1912) Strauss – Die Frau ohne ...
Hear my prayer" (German: Hör' mein Bitten) is an anthem for soprano solo, chorus and organ or orchestra composed by Felix Mendelssohn in Germany in 1844. The first performance took place in Crosby Hall, London, on 8 January 1845. [1] (The organ is now at St Ann's church, Tottenham. [2])
Felix Mendelssohn's "Wedding March" in C major, written in 1842, is one of the best known of the pieces from his suite of incidental music (Op. 61) to Shakespeare's play A Midsummer Night's Dream. It is one of the most frequently used wedding marches, generally being played on a church pipe organ.