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E-sharp minor is a theoretical key based on the musical note E ♯, consisting of the pitches E♯, F, G♯, A♯, B♯, C♯ and D♯. Its key signature has eight sharps, requiring one double sharp and six single sharps .
Some fixed just intonation scales and systems, such as the diatonic scale above, produce wolf intervals when the approximately equivalent flat note is substituted for a sharp note not available in the scale, or vice versa. The above scale allows a minor tone to occur next to a semitone which produces the awkward ratio 32:27 for D→F, and still ...
Since blue notes are alternate inflections, strictly speaking there can be no one blues scale, [8] but the scale most commonly called "the blues scale" comprises the minor pentatonic scale and an additional flat 5th scale degree: C E ♭ F G ♭ G B ♭ C. [9] [10] [11]
A musical passage notated as flats. The same passage notated as sharps, requiring fewer canceling natural signs. Sets of notes that involve pitch relationships — scales, key signatures, or intervals, [1] for example — can also be referred to as enharmonic (e.g., the keys of C ♯ major and D ♭ major contain identical pitches and are therefore enharmonic).
F ♯ /G ♭ tuning – F ♯-B-E-A-C ♯-F ♯ / G ♭-B-E-A-D ♭-G ♭ One full step up from standard. Primary tuning for the band The Chameleons. Johnny Marr also used this tuning extensively with The Smiths. British singer-songwriter Dave Mason also plays in F#. Alex Lifeson of Rush used this tuning on the song "The Big Money".
The pitches of open strings on a violin. Play ⓘ. In music, the term open string refers to the fundamental note of the unstopped, full string.. The strings of a guitar are normally tuned to fourths (excepting the G and B strings in standard tuning, which are tuned to a third), as are the strings of the bass guitar and double bass.
F-sharp minor is sometimes used as the parallel minor of G-flat major, especially since G-flat major's real parallel minor, G-flat minor, would have nine flats including two double-flats. For example, in the middle section of his seventh Humoresque in G-flat major , Antonín Dvořák switches from G-flat major to F-sharp minor for the middle ...
A harmonic is any member of the harmonic series, an ideal set of frequencies that are positive integer multiples of a common fundamental frequency. The fundamental is a harmonic because it is one times itself. A harmonic partial is any real partial component of a complex tone that matches (or nearly matches) an ideal harmonic. [3]