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Propaganda presented him as Lenin's heir, exaggerating their relationship, until the Stalin cult drained out the Lenin cult – an effect shown in posters, where at first Lenin would be the dominating figure over Stalin, but as time went on became first only equal, and then smaller and more ghostly, until he was reduced to the byline on the ...
The personality cult of Stalin in Soviet posters, 1929–1953. ANU Press. ISBN 9781760460631. Windows on the War: Soviet Tass Posters at Home and Abroad, 1941-1945. Art Institute of Chicago. 2011. ISBN 978-0-300-17023-8. Toland, Kristina (2021). Constructing Revolution: Soviet Propaganda Posters, 1917-1947. Bowdoin College Museum of Art.
Before 1932, most Soviet propaganda posters showed Lenin and Stalin together. [7] This propaganda was embraced by Stalin, who made use of their relationship in speeches to the proletariat, stating Lenin was "the great teacher of the proletarians of all nations" and subsequently identifying himself with the proletarians by their kinship as ...
Propaganda poster of Lenin and Stalin. After Vladimir Lenin's death in 1924 and the exile of Leon Trotsky, Joseph Stalin came to embody the Soviet Union. Once Lenin's cult of personality had risen in power, creating enough influence, Stalin integrated his ideals into his own cult. [135]
Propaganda poster in Petrograd, 1918: "Death to the bourgeoisie and its lapdogs – Long live the Red Terror!!" [a] Native name: ... Lenin, Stalin, and Hitler: ...
Artists Naum Gabo and Antoine Pevsner attempted to define the lines of art under Lenin by writing "The Realist Manifesto" in 1920, suggesting that artists should be given free rein to create as their muse desired. Lenin, however, had a different purpose for art: wanting it functional, and Stalin built on that belief that art should be agitation ...
Propaganda posters had been an important weapon for the Bolsheviks during the Civil War 1918–1921, but they remained in use even after the war's conclusion. After the Civil War and Lenin's institution of the NEP Policy, propaganda posters began increasingly depicting the reforging of Soviet everyday life or byt [31].
"Monumental Propaganda" is a strategy proposed by Vladimir Lenin of employing visual monumental art (revolutionary slogans and monumental sculpture) as an important means for propagating revolutionary and communist ideas.