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Sargam (from SA-RE-GA-MA), a technique for the teaching of sight-singing, is the Hindustani or North Indian equivalent to the western solfege.Sargam is practiced against a drone and the emphasis is not on the scale but on the intervals, thus it may be considered just intonation.
Saregama India Ltd., [a] formerly known as The Gramophone Company of India Ltd., is India's oldest music record label company, owned by the RP-Sanjiv Goenka Group of companies. [ 2 ] [ 3 ] The company is listed on the NSE and the BSE with its head office located in Kolkata and other offices in Mumbai , Chennai and Delhi .
Sargam refers to singing the notes, mostly commonly used in Indian music, instead of the words of a composition, with use of various ornamentations such as meend, gamak, kan and khatka, as part of a khyal performance. This is generally done in medium-tempo as a bridge between the alap and taan portions.
Sa Re Ga Ma or Saregama (also known as Sargam) are the initial four notes of the standard octave in Indian classical music, see swara. Sa Re Ga Ma or Saregama may also refer to: Saregama or Sa Re Ga Ma (formerly known as Gramophone Company of India/HMV India/EMI India), an Indian music record company, music label and content producer for Indian ...
षड् - 6, ज -जन्म . Therefore, it collectively means giving birth to the other 6 notes of the music. The absolute frequencies for all svaras are variable, and are determined relative to the saptak or octave. E.g. given Sa 240 Hz, Re 270 Hz, Ga 288 Hz, Ma 320 Hz, Pa 360 Hz, Dha 405 Hz, and Ni 432 Hz, then the Sa after the Ni of ...
Carnatic music or Karnataka Sangita (known as Karnāṭaka saṃgīta or Karnāṭaka saṅgītam in the Dravidian languages) is a system of music commonly associated with South India, including the modern Indian states of Andhra Pradesh, Karnataka, Kerala, Tamil Nadu and portions of east and south Telangana and southern Odisha.
As with movable do solfege, the notes are heard relative to an arbitrary tonic that varies from performance to performance, rather than to fixed frequencies, as on a xylophone. The fine intonational differences between different instances of the same swara are called srutis. The three primary registers of Indian classical music are mandra ...
In this contest the notes Sa Re Ga Ma Pa Dha Ni was used for scoring. After every performance of every contestant, every judge independently scored the performance. The scores increased linearly from 'Sa' to 'Ni' and will have values from 'Sa' = 1 to 'Ni' = 7. The result was declared based on the total score from the judges.