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"She Walks in Beauty" is a short lyrical poem in iambic tetrameter written in 1814 by Lord Byron, and is one of his most famous works. [2] It is said to have been inspired by an event in Byron's life. On 11 June 1814, Byron attended a party in London. Among the guests was Mrs. Anne Beatrix Wilmot, wife of Byron's first cousin, Sir Robert Wilmot ...
It is a beauteous evening, calm and free, The holy time is quiet as a Nun Breathless with adoration; the broad sun Is sinking down in its tranquillity; The gentleness of heaven broods o'er the Sea: Listen! the mighty Being is awake, And doth with his eternal motion make A sound like thunder—everlastingly. Dear Child! dear Girl! that walkest ...
Ekphrastic poetry flourished in the Romantic era and again among the pre-Raphaelite poets. A major poem of the English Romantics – "Ode on a Grecian Urn" by John Keats – provides an example of the artistic potential of ekphrasis. The entire poem is a description of a piece of pottery that the narrator finds evocative.
[4] In this, the man in the poem is trying to show his love to his rose tree, but only seems to have the love unrequited, even though he treats the rose tree like royalty. This echoes the idea of "Human Love" as we often want things we can't have, and become infatuated with things, or idealizing them instead of actually loving them.
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The poem begins with a priamel – a rhetorical structure where a list of alternatives are contrasted with a final, different idea. [12] The first stanza opens with a list of things which some people believe are the most beautiful in the world: "some say an army of horsemen, others say foot soldiers, still others say a fleet". [13]
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A writer in The Sydney Morning Herald noted, of the original publication: "A beautiful volume, as far as typography goes, is Mr Will H. Ogilvie's 'Fair Girls and Gray Horses,' a collection of Australian poetry with the imprint of the 'Bulletin' Company. The real westward—that means anywhere from Menindie to the Gulf of Carpentaria and west of ...