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This is a list of musical compositions or pieces of music that have unusual time signatures. "Unusual" is here defined to be any time signature other than simple time signatures with top numerals of 2, 3, or 4 and bottom numerals of 2, 4, or 8, and compound time signatures with top numerals of 6, 9, or 12 and bottom numerals 4, 8, or 16.
Conversely, at slow tempos, the beat might even be a smaller note value than the one enumerated by the time signature. [example needed] Mathematically the time signatures of, e.g., 3 4 and 3 8 are interchangeable. In a sense all simple triple time signatures, such as 3 8, 3 4, 3 2, etc.—and all compound duple times, such as 6 8, 6 16 and so ...
Triple metre (or Am. triple meter, also known as triple time) is a musical metre characterized by a primary division of 3 beats to the bar, usually indicated by 3 or 9 in the upper figure of the time signature, with 3 4, 3 8 and 9 8 being the most common examples. In these signatures, beats form groups of three, establishing a triple meter feel ...
12 8 is a compound time type of time signature). Many other time signatures exist, such as 2 2 or 3 8. Many short classical music pieces from the classical era and songs from traditional music and popular music are in one time signature for much or all of the piece.
The song begins with the bass repeatedly playing 6 cross-beats per each measure of 12 8 (6:4). The following example shows ... " with 8 8 and 12 8 time signatures.
Sample text One and two are equivalent. Clefs. ... 12/8 {{music|time|12|8}} 12 8: For a general time signature, use {{music|time ...
A few others will need reclassifying, since they use goofy signatures like "3 + 2 + 3" all above a single "8", instead of 8/8 time (the Bartók examples of 8/8 both do this). Further, it is quite possible to notate a song in 4/4 time, and yet write rhythms that are in a regular pattern of seven beats.
8: 8 + 4 = 12: 8 + 4 + 2 = 14: ... with a system of mensural time signatures to distinguish between them. ... for example one, one-half, one fourth, etc.