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In Greek mythology, Oizys (/ ˈ oʊ ɪ z ɪ s /; Ancient Greek: Ὀϊζύς, romanized: Oïzús, lit. 'misery' [1]), or Oezys, is the personification of pain or distress. [2] In Hesiod's Theogony, Oizys is one of the offspring of Nyx (Night), produced without the assistance of a father. [3] Oizys has no distinct mythology of her own.
As the goddess of sacrificial fire, Hestia received the first offering at every domestic sacrifice. In the public domain, the hearth of the prytaneum functioned as her official sanctuary. Whenever a new colony was established, a flame from Hestia's public hearth in the mother city would be carried to the new settlement .
'divine', also rendered Thea or Thia), also called Euryphaessa (Ancient Greek: Εὐρυφάεσσα, "wide-shining"), is one of the twelve Titans, the children of the earth goddess Gaia and the sky god Uranus in Greek mythology. She is the Greek goddess of sight and vision, and by extension the goddess who endowed gold, silver, and gems with ...
Fragment of a Hellenistic relief (1st century BC–1st century AD) depicting the twelve Olympians carrying their attributes in procession; from left to right: Hestia (scepter), Hermes (winged cap and staff), Aphrodite (veiled), Ares (helmet and spear), Demeter (scepter and wheat sheaf), Hephaestus (staff), Hera (scepter), Poseidon (trident), Athena (owl and helmet), Zeus (thunderbolt and staff ...
As a goddess of the Hearth, Tabiti was the patron of society, the state and families who protected the family and the clan, and, as a symbol of supreme authority, she was assigned the superior position over the other gods through her role as the guardian of the king, due to which as well as her to link to the common Iranian cult of fire, she ...
The Vedic myth of fire's theft by Mātariśvan is an analogue to the Greek account. [17] Pramant was the fire-drill, the tool used to create fire. [18] The suggestion that Prometheus was in origin the human "inventor of the fire-sticks, from which fire is kindled" goes back to Diodorus Siculus in the first century BC. The reference is again to ...
The symbol of fire was a cue pointing towards transformation, the chemical variant being the symbol delta, which is also the classical symbol for fire. [16] Conversion symbolized can be good, for example, refining raw crudities to gold, as seen in The Devil. Conversion can also be bad, as in The Tower, symbolizing a downfall due to anger.
Mythology [ edit ] Pausanias writes that on the road from Megalopolis to Messene there was a sanctuary, which, according to local citizens, was devoted to goddesses called Maniae, and that its surrounding district was also called Maniae (Μανίας).