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The Whitney focuses on collecting and preserving 20th- and 21st-century American art. Its permanent collection, spanning the late-19th century to the present, comprises more than 25,000 paintings, sculptures, drawings, prints, photographs, films, videos, and artifacts of new media by more than 3,500 artists.
In 2022, his painting Forward to Black (1996) sold for over US$2.3 million at Sotheby's in New York, setting a record for the artist. [25] [26] In 2024, two of Whitney's paintings became the subject of multimillion-dollar legal filings between art dealer Gary Tatintsian and art collector Andrey Isaev. [27]
Pages in category "Paintings in the Whitney Museum of American Art" The following 21 pages are in this category, out of 21 total. This list may not reflect recent changes .
This page was last edited on 30 October 2024, at 22:01 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
The AOL.com video experience serves up the best video content from AOL and around the web, curating informative and entertaining snackable videos.
Black Male: Representations of Masculinity in Contemporary Art was a landmark [1] exhibition held at New York's Whitney Museum of American Art from November 10, 1994 until March 5, 1995. Organized by curator Thelma Golden , Black Male was a survey of the changing representations of black masculinity in contemporary art from the 1970s to the 1990s.
From Beyoncé and Taylor Swift to Adele and classics like Etta James and Otis Redding, Insider ranked the best romantic songs across the decades.
George Bellows, Dempsey and Firpo (1924), Whitney Museum of American Art. Dempsey and Firpo (sometimes referred to as Dempsey Through The Ropes [1]) is an oil-on-canvas painting executed in 1923–1924 by the American artist George Bellows. It depicts the September 14, 1923, boxing match between American Jack Dempsey and Argentine Luis Firpo.