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Hirajōshi scale, or hira-choshi (Japanese: 平調子, Hepburn: hirachōshi, chōshi = tuning and hira = even, level, tranquil, standard or regular) is a tuning scale adapted from shamisen music by Yatsuhashi Kengyō for tuning of the koto. [1] "The hirajoshi, kumoijoshi, and kokinjoshi 'scales' are Western derivations of the koto tunings of ...
Hirajōshi scale: Hirajoshi scale on C. Play ... Min'yō scale on D, equivalent to yo scale on C, with brackets on fourths. Play ...
A variety of musical scales are used in traditional Japanese music. While the Chinese Shí-èr-lǜ has influenced Japanese music since the Heian period, in practice Japanese traditional music is often based on pentatonic (five tone) or heptatonic (seven tone) scales. [1] In some instances, harmonic minor is used, while the melodic minor is ...
This media depicts a musical scale outside of a specific musical context. Scales, consisting of an ordering outside of time by pitch class (no " distinctiveness "), may be used in compositions by multiple composers ("common material"), and may not be readily apparent in compositions.
He adapted the Hirajoshi scale and the Insen scale for the koto, from the shamisen repertoire. Yatsuhashi is also credited as the composer of the important koto solo piece Rokudan-no-shirabe (六段の調, Music of Six Steps), although he may not actually have composed it himself.
The Ambassel scale. The Ambassel scale (Amharic: አምባሳል ቅኝት) is a pentatonic scale widely used in the Gonder and Wollo regions of Ethiopia.. The notes of the scale (from C) are C, Db, F, G and Ab.
In contrast, in the chord-scale system, a different scale is used for each chord in the progression (for example mixolydian scales on A, E, and D for chords A 7, E 7, and D 7, respectively). [5] Improvisation approaches may be mixed, such as using "the blues approach" for a section of a progression and using the chord-scale system for the rest. [6]
In jazz, the altered scale, altered dominant scale, or super-Locrian scale (Locrian ♭ 4 scale) is a seven-note scale that is a dominant scale where all non-essential tones have been altered. This means that it comprises the three irreducibly essential tones that define a dominant seventh chord , which are root, major third, and minor seventh ...