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The Armadillo World Headquarters ("behind the Skating Palace") in 1976. Armadillo World Headquarters (The 'Dillo or Armadillo WHQ) was an influential Texas music hall and beer garden in Austin at 525½ Barton Springs Road – at South First Street – just south of the Colorado River and downtown Austin. The 'Dillo flourished from 1970 to 1980.
Wilson at the 2017 Texas Book Festival. Edwin Osbourne Wilson is a former concert promoter and co-founder and owner of the Armadillo World Headquarters (1973–1980). [1] [2] The music venue led a music movement in Austin to national prominence from 1973 to 1980 as the birthplace of Texas progressive country, aka "redneck rock" – a fusion of country music and rock – later, more blues than ...
On Oct. 3, Armadillo World Headquarters emerged after 44 years as Armadillo World, a lifestyle brand repackaging old-school culture for a new era.
Armadillo World Headquarters: A Memoir, by Eddie Wilson with Sublett, published in late March 2017, tells the history of the famed music hall affectionately known as "the 'Dillo" which served as an Austin music industry stage and incubator of Austin culture far beyond the decade it was in existence (1970-1980). [31]
The Armadillo World Headquarters in 1976. The Vulcan morphed into the Armadillo World Headquarters in 1970 and for more than ten years featured music of all genres, from Bruce Springsteen to Bette Midler, as well as local ballet, blues and jazz. The artwork from this establishment was a part of the Austin scene and the Armadillo became the ...
In fact, the newest soccer "jocktag" celebrates the Armadillo World Headquarters. The hottest Austin club from 1970 to 1980, the old Armadillo was — and is — an essential part of Austin's ...
Legacy Austin brands unite in Armadillo World Headquarters collaboration "ACL" is partnering with Armadillo World Headquarter, a classic old Austin concert venue, which has recently relaunched as ...
Armadillo World Headquarters poster art Micael Priest (October 21, 1951 – September 12, 2018) was an American artist and raconteur . Due to Priest's color-blindness, his primary medium was pen and ink, which he put to great use in inexpensively printed, highly graphic, rock posters.