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"Salome" may be the Hellenized form of a Hebrew name derived from the root word שָׁלוֹם (shalom), meaning "peace". [4]The name was a common one; apart from the famous dancing "daughter of Herodias", both a sister and daughter of Herod the Great were called Salome, as well as Queen Salome Alexandra (d. 67 BC), the last independent ruler of Judea.
It depicts Jesus and Peter walking on water, heralding Christ's power that viewers would hope to gain through "ritual initiation." [ 10 ] The period of late antiquity (313–476 CE), after the Edict of Milan (313 CE), saw an increase in Paleochristian public art, often focused on apostolic authority, due to Constantine's decriminalisation of ...
In this work the eroticism is offset by the bloody head of John the Baptist. [4] Further, Salome is herself decapitated in this painting by shadow. [4] The work may have been influenced by the works of El Greco. [2] Tanner and his wife Jessie spent several months in Granada in the beginning of 1903, where he had time to study El Greco's ...
Paintings of Christ washing the disciples' feet (3 P) Paintings of the Death of the Virgin ... Paintings of John the Apostle (81 P) Paintings of Judas Iscariot (1 C ...
Salome (Henry Ossawa Tanner) Salomé (Moretto) Salome (Stuck) Salome Dancing before Herod; Salome Receives the Head of John the Baptist; Salome with the Head of John the Baptist (Luini) Salome with the Head of John the Baptist (Stom) Salome with the Head of John the Baptist (Caravaggio, London) Salome with the Head of John the Baptist ...
The Head of Saint John the Baptist presented to Salome is a circa 1609 oil on panel painting by the Flemish artist Peter Paul Rubens (1577–1640) executed shortly after his return to Antwerp after an eight year stay in Italy.
The latest image is a stark contrast to how He is portrayed in paintings and pictures who appears leaner with long flowy hair. Earlier this year a picture re-emerged that showed what Jesus might ...
The handling and the raking light link this painting to works done in Naples during the artist's brief stay in the city during 1606–1607, an impression confirmed by the balances between Salome and the Virgin in the Madonna of the Rosary, and between the executioner holding the head of the Baptist and one of the two torturers in Christ at the ...