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Cherríe Moraga [1] (born September 25, 1952) is an influential Chicana feminist writer, activist, poet, essayist, and playwright. [2] [3] A prominent figure in Chicana literature and feminist theory, Moraga's work explores the intersections of gender, sexuality, race, and class, with particular emphasis on the experiences of Chicana and Indigenous women.
Moraga mentions her mother and being opposed to her because of her skin color. Throughout the book, the differences between her mother, an immigrant, straight, and traditional woman, along with Moraga, a homosexual, [15] white-colored feminist, become smaller and smaller. [13] Eventually, Moraga finds that she relates to her mother.
The Hungry Woman: A Mexican Medea is a 1995 American play by Cherríe Moraga. The play was published by West End Press. [1] It includes aspects of Coatlicue, an Aztec goddess; the play Medea by Euripides; and La Llorona. [2]
Moraga stated that the play is based "loosely on three actual events that took place in a central California coastal farmworker town by the same name." [ 4 ] These events were a 1985–1987 cannery strike, a 1989 7.1 Richter scale earthquake, and a vision of the Lady of Guadalupe in the Pinto Lake County park. [ 2 ]
In some Chicanas' works, including the well-known essay of Cherríe Moraga, Loving in the War Years, La Virgen de Guadalupe symbolizes the male repression of women's sexuality and independence. [12] Gloria Anzaldúa has been at the forefront of efforts to revise Guadalupe, moving away from the chaste, "perfect" mother, sanctified by the Roman ...
Smith, Lorde, Cherríe Moraga, Hattie Gossett, Helena Byard, Susan Yung, Ana Oliveira, Rosío Alvarez, Alma Gomez and Leota Lone Dog are all considered co-founders of the organization. [8] [9] Smith explained the name of the press as "the kitchen is the center of the home, the place where women in particular work and communicate with each other."
"Religious hybridity and female power in "Heart of the Earth: A Popol Vuh Story" and other theatrical works by Cherrie Moraga." (Spanish: El hibridismo religioso y la fuerza femenina en 'Heart of the Earth: A Popul Vuh Story' y otras obras teatrales de Cherríe Moraga) (Dissertation/Thesis). 01/2009, ISBN 9781109102925. UMI Number: 3353695.
The phrase has heavily figured in black feminism, such as "A Black Feminist Statement" by the Combahee River Collective, Audre Lorde's essay "The Master's Tools Will Never Dismantle the Master's House", and the anthology This Bridge Called My Back: Writings by Radical Women of Color, edited by Gloria E. Anzaldúa and Cherríe Moraga.