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Super 8 mm, 8 mm and Standard (double) 8 mm formats Standard and Super 8 mm film comparison In 1965, Super-8 film was released and was quickly adopted by many amateur film-makers. It featured a better quality image and was easier to use mainly due to a cartridge-loading system that did not require reloading and rethreading halfway through.
The Sony E 16mm F2.8 is a wide-angle prime lens for the Sony E-mount, announced by Sony on June 11, 2010. [1] [2] Despite featuring the shortest focal length of any prime lens currently manufactured by Sony, the 16mm lens is infamous for its strong pincushion distortion, heavy chromatic aberration, and overall image softness. However, some of ...
The Fish-Eye Rokkor 16mm f/2.8 is a prime fisheye lens produced by Minolta for Minolta SR-mount single lens reflex cameras, introduced in 1969 to replace an earlier fisheye lens, the UW Rokkor 18mm f/9.5. It is a full-frame fisheye lens with a 180° viewing angle across the diagonal.
Single-8, also known as 8 mm Type S, Model II, is a motion picture film format introduced by Fujifilm of Japan in 1965 as an alternative to the Kodak Super 8 format. Single-8 and Super 8 use mutually incompatible cartridges, but the 8 mm film within each cartridge shares the same frame and perforation size and arrangement, so developed Single-8 and Super 8 films can be shown using the same ...
The Sigma 8–16mm lens is an enthusiast-level, ultra wide-angle rectilinear zoom lens made by Sigma Corporation specifically for use with APS-C small format digital SLRs. It is the first ultrawide rectilinear (non- fisheye lens ) zoom lens with a minimum focal length of 8 mm, designed specifically for APS-C size image sensors. [ 1 ]
In most Super 8 and some 16mm cameras of the 1960s (e.g. the Bolex H 16), when the 2008 S was introduced, the image from the taking lens was split in two (in a prism): one beam was sent to the film and the other beam to the viewfinder. On the Beaulieu cameras, however, no light was wasted (reflex system) -- either all of it was directed at the ...