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The Planets, Op. 32, is a seven-movement orchestral suite by the English composer Gustav Holst, written between 1914 and 1917. In the last movement the orchestra is joined by a wordless female chorus. Each movement of the suite is named after a planet of the Solar System and its supposed astrological character.
Two planets are notably not included in The Planets: Earth and Pluto. Holst had not wanted to include the Earth in his suite because the suite was based on astrology, and Earth has no astrological significance. [57] Pluto was discovered in 1930, four years before Holst's death, and was hailed by astronomers as the ninth planet.
Holst was born in Cheltenham, Gloucestershire, the elder of the two children of Adolph von Holst, a professional musician, and his wife, Clara Cox, née Lediard. She was of mostly British descent, [n 1] daughter of a respected Cirencester solicitor; [2] the Holst side of the family was of mixed Swedish, Latvian and German ancestry, with at least one professional musician in each of the ...
The Planets is a seven-movement orchestral suite by Gustav Holst, written between 1914 and 1916. Each movement of the suite is named after a planet of the Solar System and its corresponding astrological character as defined by Holst. The Suite is widely considered as Holst's most popular piece and magnum opus.
Below is a sortable list of compositions by Gustav Holst. The works are categorized by genre, H. catalogue number ( A Thematic Catalogue of Gustav Holst's Music by Imogen Holst, London, Faber Music Ltd., 1974), opus number , date of composition and title.
Planets will align in the night sky in January and February 2025 (iStock/ Getty Images) ... The best time to see the planetary parade in January is during the first couple of hours after the Sun ...
This is a discography of commercial recordings of The Planets, Op. 32, an orchestral suite by Gustav Holst, composed between 1914 and 1916, and first performed by the Queen's Hall Orchestra conducted by Adrian Boult on 29 September 1918. It includes the composer's own recordings made in 1922–1923 and 1926.
The Mayan calendar’s 819-day cycle has confounded scholars for decades, but new research shows how it matches up to planetary cycles over a 45-year span