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The Shakespeare canon is generally defined by the 36 plays published in the First Folio (1623), some of which are thought to be collaborations or to have been edited by others, and two co-authored plays, Pericles, Prince of Tyre (1609) and The Two Noble Kinsmen (1634); two classical narrative poems, Venus and Adonis (1593) and The Rape of Lucrece (1594); a collection of 154 sonnets and "A ...
The convergence of documentary evidence of the type used by academics for authorial attribution – title pages, testimony by other contemporary poets and historians, and official records – sufficiently establishes Shakespeare's authorship for the overwhelming majority of Shakespeare scholars and literary historians, [6] and no such ...
Shakespeare attribution studies; Shakespeare After All; Shakespeare Association of America; Shakespeare Bulletin; Shakespeare Club of Stratford-upon-Avon; Shakespeare Institute; Shakespeare Quarterly; The Shakespeare Wars; The Shakespeare Yearbook; Shakespeare: The Critical Heritage; Shakespeare: The Invention of the Human; Shakespeare's Ghost ...
Portrait miniature of an unknown woman, possibly Emilia Lanier Bassano, c. 1590, by Nicholas Hilliard [1]. The Emilia Lanier theory of Shakespeare authorship contends that the English poet Emilia Lanier (née Aemilia Bassano; 1569–1645) is the actual author of at least part of the plays and poems attributed to William Shakespeare.
A consensus is emerging that the play was written by a team of dramatists including Shakespeare early in his career – but exactly who wrote what is still open to debate. The play is included in the Second Edition of the Complete Oxford Shakespeare (2005), where it is attributed to "William Shakespeare and Others", and in the Riverside ...
In August 1819 an anonymous writer for The Monthly Review, or Literary Journal suggested that 'Christopher Marlowe' might be a pseudonym assumed for a time by Shakespeare, [12] and this idea was developed further in the same journal in September 1820, [13] noting how Shakespeare "disappears from all biographical research just at the moment when Marlowe first comes on the stage; and who re ...
Little is known of Shakespeare's personal life, and some anti-Stratfordians take this as circumstantial evidence against his authorship. [37] Further, the lack of biographical information has sometimes been taken as an indication of an organised attempt by government officials to expunge all traces of Shakespeare, including perhaps his school records, to conceal the true author's identity.
The Derbyite theory of Shakespeare authorship is the view that William Stanley, 6th Earl of Derby (1561–1642), was the true author of the works of William Shakespeare. Derby is one of several individuals who have been claimed by advocates of the Shakespeare authorship question to be the true author of Shakespeare's works.