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"One Mint Julep" is a R&B song, written and composed by Rudy Toombs, that became a 1952 hit for the Clovers. [1] The song has received over 100 cover versions, both with lyrics and as an instrumental.
The game has shipped 8.15 million units worldwide as of March 2003. [3] Additionally, Final Fantasy VIII was voted the 22nd-best game of all time by readers of Famitsu in 2006. [4] The game's characters were created by Tetsuya Nomura, [5] and were the first in the series to be
Some of Toombs' best known songs are listed below. [3]"Teardrops from My Eyes", a Rhythm and blues song for Ruth Brown, which was a hit for her in 1950 "One Mint Julep", [1] recorded by The Clovers (number 1 R&B in 1951), covered in an instrumental version by Ray Charles (number 1 R&B, Billboard Hot 100 number 8 in 1961)
Five Laps at Freddy's is a kart racing game based on characters from Five Nights at Freddy's developed by Clickteam. It was announced on June 19, 2024, to coincide with the series' 10th anniversary. [117] A gameplay trailer was released August 3. A demo of the game was released August 7 and a full release of the game is expected in 2025.
[8] In the Encyclopedia of Albums , edited by Paul Du Noyer , the album is described as "The eclectic Charles's only big-band jazzy get-together of the early Sixties"; the track " One Mint Julep " is highlighted as "[seeing] the versatile singer cool and confident enough to let the musicians do the talking, while he played the organ throughout.
The tracks "One Mint Julep" (written by Rudy Toombs) [7] and the Ertegun composition "Middle of the Night" (originally released as a 10" vinyl single) [8] were both top ten hits on the R&B chart of May 1952. [9]
Five Nights at Freddy's (FNaF) is an American multimedia horror franchise created and owned by Scott Cawthon. The franchise began with the release of its first video game on August 8, 2014. Three sequels were released up to July 2015, setting a Guinness World Record for "most video game sequels released in a year".
Co-creator Neal Adams' early ideas for Killraven involved the character being the son of a Doc Savage archetype. [2] This concept had been reworked by the first issue, a multiple-creator goulash in which the two originators and co-plotters turned the scripting over to another writer, and in which artist co-creator Adams penciled only the first 11 pages and Howard Chaykin the remaining nine.