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Antigone (/ æ n ˈ t ɪ ɡ ə n i / ann-TIG-ə-nee; Ancient Greek: Ἀντιγόνη) is an Athenian tragedy written by Sophocles in (or before) 441 BC and first performed at the Festival of Dionysus of the same year. It is thought to be the second-oldest surviving play of Sophocles, preceded by Ajax, which was written
Antigone was first performed in Paris at the Théâtre de l'Atelier on February 6, 1944, during the Nazi occupation.Produced under Nazi censorship, the play is purposefully ambiguous with regard to the rejection of authority (represented by Antigone) and the acceptance of it (represented by Creon).
Antigone in Front of the Dead Polynices by Nikiforos Lytras, National Gallery, Athens, Greece (1865) In her own namesake play, Antigone attempts to secure a respectable burial for her brother Polynices. Oedipus's sons, Eteocles and Polynices, had shared rule jointly until they quarreled, and Eteocles expelled his brother. In Sophocles' account ...
Antigone (Greek: Aντιγόνη, Antigone) is a 1961 Greek film adaptation of the Ancient Greek tragedy Antigone by Sophocles. It stars Irene Papas in the title role and was directed by Yorgos Javellas , who also adapted the play for the film.
Antigone, the daughter of Oedipus King of Thebes, Greece, learns that her two brothers Polyneices and Eteocles have killed each other fighting on different sides of a war. Creon, Antigone's uncle and newly appointed King of Thebes, buries Eteocles, who fought on the Theban side of the war, hailing him as a great hero. He refuses to bury ...
Antigone, also known as The Antigone of Sophocles, is an adaptation by the German dramatist Bertolt Brecht of Hölderlin's translation of Sophocles' tragedy. It was first performed at the Chur Stadttheater in Switzerland in 1948, with Brecht's second wife Helene Weigel , in the lead role. [ 1 ]
Pages in category "Modern adaptations of Antigone (Sophocles play)" The following 8 pages are in this category, out of 8 total.
The most famous play of this group is Antigone, which "established Anouilh as a leading dramatist, not only because of the power with which he drew the classic confrontation between the uncompromising Antigone and the politically expedient Creon, but also because French theatre-goers under the occupation read the play as a contemporary ...