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The song "Time for Me to Fly" peaked at No. 56 on the Billboard Hot 100 in 1978; despite this relatively modest peak position, it has become one of the band's best-known songs, and has received airplay on FM radio over the years. According to singer Kevin Cronin, the song was inspired by his breakup with his high school girlfriend. [12]
Cross-stringing (sometimes called overstringing) is a method of arranging piano strings inside the case of a piano so that the strings are placed in a vertically overlapping slanted arrangement, with two heights of bridges on the soundboard instead of just one.
Skip the faulty block; Try and retry to read it, causing a stopping and starting of the music; A player may utilise one or more of these techniques, depending on how faulty the data is. In the case of severe, irrecoverable damage to the data, the player may try to rescan the disc to relocate its position.
The Play symbol is arguably the most widely used of the media control symbols. In many ways, this symbol has become synonymous with music culture and more broadly the digital download era. As such, there are now a multitude of items such as T-shirts, posters, and tattoos that feature this symbol.
A skipping rhyme (occasionally skipping-rope rhyme or jump-rope rhyme), is a rhyme chanted by children while skipping. Such rhymes have been recorded in all cultures where skipping is played. Examples of English-language rhymes have been found going back to at least the 17th century.
His aunt taught him piano, starting at the age of four. [3] Although he did not receive formal conservatory education in music, Henderson received classical training under Fritz Reiner, Albert Coates, Arnold Schoenberg, Ernst Toch and Arturo Toscanini, who invited him to conduct the NBC Symphony Orchestra. Henderson would later recount learning ...
A Disklavier piano. Whereas most of James's music is electronic, "Avril 14th" is a piano composition. [2] It was recorded using a Disklavier, a piano with a mechanism that reads MIDI data and plays the keyboard without human input. [3] The clicking of the mechanism is audible on the recording. [2]
After a flurry of piano octaves, fragments of the "plaintive" theme are revisited for the first time in E ♭ major, then for the second time in G minor. Then the piano and the strings take turns playing the theme for the third time in E major while the timpani furtively plays a tremolo on a low B until the first subject's fragments are continued.