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This came about partly from the similarity of the blues scale to modal scales and partly from the characteristics of the guitar and the use of parallel major chords on the pentatonic minor scale. With barre chords on guitar, the same chord shape can be moved up and down the neck without changing the fingering.
Carter-style lick. [1] Play ⓘ In popular music genres such as country, blues, jazz or rock music, a lick is "a stock pattern or phrase" [2] consisting of a short series of notes used in solos and melodic lines and accompaniment. For musicians, learning a lick is usually a form of imitation. By imitating, musicians understand and analyze what ...
A pentatonic scale is a musical scale with five notes per octave, in contrast to heptatonic scales, which have seven notes per octave (such as the major scale and minor scale). Pentatonic scales were developed independently by many ancient civilizations [ 2 ] and are still used in various musical styles to this day.
The Nashville Number System is a method of transcribing music by denoting the scale degree on which a chord is built. It was developed by Neal Matthews Jr. in the late 1950s as a simplified system for the Jordanaires to use in the studio and further developed by Charlie McCoy. [1]
List of musical scales and modes Name Image Sound Degrees Intervals Integer notation # of pitch classes Lower tetrachord Upper tetrachord Use of key signature usual or unusual ; 15 equal temperament
Print/export Download as PDF; Printable version; In other projects ... Pages in category "Pentatonic scales" The following 14 pages are in this category, out of 14 ...
Carter Family picking, also known as the thumb brush, the Carter lick, the church lick, or the Carter scratch, [2] is a style of fingerstyle guitar named after Maybelle Carter of the Carter Family. It is a distinctive style of rhythm guitar in which the melody is played on the bass strings, usually low E, A, and D while rhythm strumming ...
Important elements Rice has used in his playing are jazz type chord substitutions, different from the straight major and minor chords common to bluegrass, and the use of the Dorian mode and the minor pentatonic "blues" scale in his lead playing. While there have been several songs using the Dorian mode in Appalachian roots music, Rice made a ...