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The integration of art and architecture became a constant in Mexican modern architecture, which can be seen in the courtyard of the Anthropology Museum (c. 1963–65) in Mexico City, by Pedro Ramírez Vázquez. Another side of Mexican modern architecture is represented in the work of Luis Barragán.
According to Santa Clara architect and historian, Rina Swentzell, Pueblo architecture can be understood in the context of "a world in which a house or structure is not an object—or a machine to live in—but is part of a cosmological world view that recognizes multiplicity, simultaneity, inclusiveness, and interconnectedness."
The Pueblo Revival style or Santa Fe style is a regional architectural style of the Southwestern United States, which draws its inspiration from Santa Fe de Nuevo México's traditional Pueblo architecture, the Spanish missions, and Territorial Style. The style developed at the beginning of the 20th century and reached its greatest popularity in ...
Overview of the central plaza of the Maya city of Palenque (Chiapas, Mexico), an example of Classic period Mesoamerican architecture. Mesoamerican architecture is the set of architectural traditions produced by pre-Columbian cultures and civilizations of Mesoamerica, traditions which are best known in the form of public, ceremonial and urban monumental buildings and structures.
Part of the facade, with azulejos. It is known that the original construction was built in the 16th century, and that it is actually made up of the union of two stately mansions, of which the one that was originally located on the south side was the one that belonged, together with the so-called Plazuela de Guardiola to a man named Damián Martínez. [6]
In Tulum, Mexico, the self-taught architect known as Roth created one of the area's most popular resorts, the Azulik, and a nearby artists' community, which were designed to reflect and ...
The house was completely restored in 1995 at a cost of 250,000 pesos for its function as a museum, with money coming from CONACULTA, the national lottery and the Jalisco government. [9] As a key piece of 20th-century architecture in Mexico, the house itself is the main exhibition. It retains the original furniture and Barragán's personal objects.
However, the "wattle" portion of jacal structures consists mainly of vertical poles lashed together with cordage and sometimes supported by a pole framework, as in the pit-houses of the Basketmaker III period of the Ancestral Puebloan (a.k.a. Anasazi) people of the American Southwest. This is overlain with a layer of mud/adobe (the "daub ...