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Bokashi (Japanese: ぼかし) is a technique used in Japanese woodblock printmaking. It achieves a variation in lightness and darkness ( value ) of a single color or multiple colors by hand applying a gradation of ink to a moistened wooden printing block, rather than inking the block uniformly.
The Great Wave off Kanagawa (神奈川沖浪裏, Kanagawa-oki nami-ura) print by Hokusai Metropolitan Museum of Art. Woodblock printing in Japan (木版画, mokuhanga) is a technique best known for its use in the ukiyo-e [1] artistic genre of single sheets, but it was also used for printing books in the same period.
Bokashi (ぼかし); technique of applying a gradation of ink to a moistened block to vary lightness and darkness (value) of a single colour; Censor seal; from 1790 until 1876 all woodblock prints had to be examined by official censors, and marked with their seals; Chūban (中判); a print size about 7 by 10 inches (18 cm × 25 cm)
Kajikazawa in Kai Province by Hokusai, 1831.From series Thirty-six Views of Mount Fuji.. The term aizuri-e (Japanese: 藍摺絵 "blue printed picture") usually refers to Japanese woodblock prints that are printed entirely or predominantly in blue.
Insects and pests can destroy woodblock prints by eating through the paper or leaving droppings that stain the paper. A common cause of holes in Japanese woodblock prints is the deathwatch beetle (Xestobium rufovillosum). These beetles were commonly found in wood used to build furniture in the Edo period. Woodblock prints that were stored on ...
The print is a vertical ōban of 37.9 × 24.9 centimetres (14.9 × 9.8 in), [24] and is a nishiki-e —a full-colour ukiyo-e print made from multiple woodblocks, one for each colour; the inked blocks are pressed on Japanese handmade paper. To produce a glittering effect the background is dusted with muscovite, a variety of mica.
Konishi Hirosada (小西 廣貞) (fl. c. 1819–1863) was the most prolific Osaka-based designer of ukiyo-e woodblock prints during the late Edo period. Like most producers of kamigata-e ( 上方絵 ) —prints originating in the Osaka and Kyoto regions—he specialized in yakusha-e actor prints.
The prints are multicolour nishiki-e woodblock prints on handmade washi paper. [6] Each horizontal print is in ōban size, [ 7 ] about 25.5 by 37 centimetres (10 in × 15 in). The book bears no publisher's seal, but from the blue covers of the folding album are the same as others published by Tsutaya Jūzaburō at the time, and the clothing of ...