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Islamic and Mujédar stucco decoration followed the main types of ornamentation in Islamic art: geometric, arabesque or vegetal, and calligraphic motifs. [ 3 ] [ 2 ] Three-dimensional muqarnas was often also carved in stucco, [ 24 ] [ 7 ] most typically found as transitional elements on vaults, domes, capitals, friezes, and doorways.
In the western Islamic world, muqarnas decoration was definitively introduced during the reign of the Almoravid emir Ali ibn Yusuf. [ 1 ] [ 36 ] The earliest examples, although limited to small details of larger domes, are found in the Almoravid Qubba in Marrakesh , Morocco, built probably in 1117 or 1125, [ 36 ] [ 37 ] and in the stucco ...
Islamic ornament is the use of decorative forms and patterns in Islamic art and Islamic architecture. Its elements can be broadly divided into the arabesque , using curving plant-based elements, geometric patterns with straight lines or regular curves, and calligraphy , consisting of religious texts with stylized appearance, used both ...
Some of the stucco decoration in early monuments appears to be influenced by the stucco decoration of other regions and may have involved craftsmen recruited or imported from these regions. The fine stucco mihrab of the Madrasa of al-Nasir Muhammad , for example, resembles contemporary Iranian stuccowork under the Ilkhanids in artistic centers ...
The Noor Cultural Centre was an Islamic cultural centre located in the Don Mills neighbourhood in Toronto, Ontario, Canada, on the east side of the Don Valley Parkway just north of Eglinton Avenue. As of October 2021, the location was sold after 18 months of continuous lockdowns due to the pandemic, and the organization now maintains its ...
Islamic Centre of Quebec Montreal: Quebec: 1958 Second mosque built in Canada and first in Quebec Great Mosque of Quebec City Grande Mosquée de Québec: Quebec City: Quebec: 2009 (current site) First site completed in 1985; owned by the Islamic Cultural Centre of Quebec City, and was the site of the 2017 mosque shooting.
[7] [8] In Islamic culture, the patterns are believed to be the bridge to the spiritual realm, the instrument to purify the mind and the soul. [9] David Wade [b] states that "Much of the art of Islam, whether in architecture, ceramics, textiles or books, is the art of decoration – which is to say, of transformation."
The patterns cut into the stucco surface at an angle. This is the first and purest example of the arabesque. [20] It may represent a deliberate attempt to make an abstract form of decoration that avoids depiction of living things, and this may explain its rapid adoption throughout the Muslim world. [22]