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Film noir is not a clearly defined genre (see here for details on the characteristics). Therefore, the composition of this list may be controversial. To minimize dispute the films included here should preferably feature a footnote linking to a reliable, published source which states that the mentioned film is considered to be a film noir by an expert in this field, e.g.
Film noir (/ n w ɑːr /; French: [film nwaʁ]) is a style of Hollywood crime dramas that emphasizes cynical attitudes and motivations. The 1940s and 1950s are generally regarded as the "classic period" of American film noir. Film noir of this era is associated with a low-key, black-and-white visual style that has roots in German expressionist ...
The Accused (1949 film) Accused of Murder; Ace in the Hole (1951 film) Act of Violence; Adventure in Vienna; Affair in Havana; Affair in Trinidad; Africa (2011 film) Afsporet; Alimony (1949 film) All My Sons (film) All the King's Men (1949 film) Allotment Wives; Among the Living (1941 film) Andha Naal; Angel Face (1953 film) Angels Over ...
The following is a list of films belonging to the neo-noir genre. Following a common convention of associating the 1940s and 1950s with film noir , the list takes 1960 to date the beginning of the genre.
Horror noir (sometimes referred to as noir horror or hyphenated as horror-noir; lit. ' black horror ') is a film subgenre that blends elements of both horror and noir.It combines the dark, atmospheric qualities of noir with the suspense and fear typical of horror, creating a hybrid genre that integrates aspects of both.
Force of Evil is a 1948 American film noir starring John Garfield and Beatrice Pearson and directed by Abraham Polonsky. It was adapted by Polonsky and Ira Wolfert from Wolfert's novel Tucker's People. [3] Polonsky had been a screenwriter for the boxing film Body and Soul (1947), in which Garfield had also played the male lead.
The depictions of women in film noir come in a range of archetypes and stock characters, including the alluring femme fatale.A femme fatale (/ ˌ f æ m f ə ˈ t ɑː l / or / ˌ f ɛ m f ə ˈ t ɑː l /; French: [fam fatal], literally "lethal woman"), is a prevalent and indicating theme to the style of film noir.
Neo-noir is a film genre that adapts the visual style and themes of 1940s and 1950s American film noir for contemporary audiences, often with more graphic depictions of violence and sexuality. [1] During the late 1970s and the early 1980s, the term "neo-noir" surged in popularity, fueled by movies such as Sydney Pollack 's Absence of Malice ...