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Tolstoy cites the time, effort, public funds, and public respect spent on art and artists [2] as well as the imprecision of general opinions on art [3] as reason for writing the book. In his words, "it is difficult to say what is meant by art, and especially what is good, useful art, art for the sake of which we might condone such sacrifices as ...
There Are No Guilty People" (AKA: "There Are No Guilty People in the World") is a short story by Leo Tolstoy written in 1909. [1] According to the Cambridge Companion on Tolstoy, the work is directed against the death penalty. It was incomplete, and when published after Tolstoy's death, resulted in a flood of letters, the reaction mixed.
Four of the seven chapters of the book contain an assessment of Tolstoy the artist, in which Merezhovsky provides a detailed appraisal of the writer's art. Merezhovsky defines Tolstoy's main artistic technique as a transition "from visible to invisible, from external to internal, from physical to spiritual" or at the very least, "instinctual". [7]
The show was a success and premiered in Moscow's Maly Theatre in December 1891. Tolstoy attended Maly Theatre production in January 1892 and left dissatisfied with the artists' rendition of the three peasants. [4] The play has remained in Russian and Soviet theatre repertory ever since.
It was to Purleigh, therefore, that Chertkov initially gravitated and it was here that he set up a publishing company, the Free Word Press (Russian: Свободное слово), producing Russian-language versions of Tolstoy's works and kindred literature, much of which was smuggled back into Russia. A separate branch of this business, the ...
In the opinion of art historian Galina Elshevskaya, the alterations evident in the two subsequent versions may have been prompted by the influence of Leo Tolstoy: "if in the first version of the painting the saint draws the executioner's sword, so to speak, purely physically, then in the last two versions the artist's favourite theme of the ...
To some extent, the value of art, for Tolstoy, is one with the value of empathy. However, sometimes empathy is not of value. In chapter fifteen of What Is Art?, Tolstoy says that some feelings are good, but others are bad, and so art is only valuable when it generates empathy or shared feeling for good feelings. For example, Tolstoy asserts ...
Larissa Volokhonsky (Russian: Лариса Волохонская) was born into a Jewish family in Leningrad, now St. Petersburg, on 1 October 1945.After graduating from Leningrad State University with a degree in mathematical linguistics, she worked in the Institute of Marine Biology (Vladivostok) and travelled extensively in Sakhalin Island and Kamchatka (1968-1973).