Ads
related to: four beauties chinese painting
Search results
Results From The WOW.Com Content Network
The Four Beauties or Four Great Beauties are four Chinese women who were renowned for their beauty. The four are usually identified as Xi Shi, Wang Zhaojun, Diaochan, and Yang Yuhuan. [1] Among them, Diaochan is a fictional character while the rest have been greatly embellished by legend. They gained their reputation from the influence they ...
In Chinese art, the Four Gentlemen or Four Noble Ones (Chinese: 四君子; pinyin: Sì Jūnzǐ), is a collective term referring to four plants: the plum blossom, the orchid, the bamboo, and the chrysanthemum. [1] [2] The term compares the four plants to Confucian junzi, or "gentlemen".
Xi Shi is mentioned in the novel Journey to the West, as a sign of grace and beauty. Xi Shi is referenced in one of the Four Masterpieces of Chinese literature, Dream of the Red Chamber, where the heroine Lin Daiyu is described as having a delicate and frail appearance akin to that of Xi Shi. Both Lin and Xi Shi evoke the image of a beautiful ...
As she was born when her father was very old, he regarded her as "a pearl in the palm". Wang Zhaojun was endowed with dazzling beauty with an extremely intelligent mind. She was adept in playing the pipa and also mastered the ancient "Four Arts of the Chinese Scholar" – the guqin, go, calligraphy and Chinese painting.
These paintings were made to demonstrate the power of a single line, and in them was reflected a skill that valued intentional and calculated strokes over instinctual erratic creation. In a Chinese painting was reflected the artist's ability to evaluate his own imagination and record it clearly and concisely. Chinese painting can be traced back ...
Zhou Fang's Buddha, celestial beings, figures, and paintings of beautiful women are all incredible masterpieces. Zhou created paintings of goddesses modelled after imperial court ladies, a development that indicated religious painting was to become more realistic, and that secular painting was beginning to take on its initial form.
The Admonitions Scroll is a Chinese narrative painting on silk that is traditionally ascribed to Gu Kaizhi (ca. 345 – ca. 406), but which modern scholarship regards as a 5th to 8th century work that may or may not be a copy of an original Jin dynasty (266–420) court painting by Gu.
Chinese painting and calligraphy distinguish themselves from other cultures' arts by emphasis on motion and change with dynamic life. [4] The practice is traditionally first learned by rote, in which the master shows the "right way" to draw items.