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Europeans began producing art in New Zealand as soon as they arrived, with many exploration ships including an artist to record newly discovered places, people, flora and fauna. The first European work of art made in New Zealand was a drawing by Isaac Gilsemans, the artist on Abel Tasman's expedition of 1642. [16] [17]
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Gilsemans is most noted for joining the explorer Abel Tasman on his expedition in 1642-43 during which Tasmania, New Zealand and several Pacific Islands became known to Europeans. Gilsemans produced a number of drawings that documented island and native life. His depictions of the Māori people were the first for Europeans. [1] [3]
A European woman and a Māori chief flank the left and right sides, identifying New Zealand as a bicultural nation (European New Zealanders and Māori). The figures are supported by the silver fern, a native plant. The St Edward's Crown is a reminder that New Zealand is a constitutional monarchy. [4] National anthems "God Defend New Zealand"
The Takiroa Historic Area features several Māori drawings made from ochre, bird fat, and charcoal. [2] [3] The subject matter present in the shelter is variable. Some drawings have been interpreted as people and animals, such as birds. [4] Depictions of European settlers are also apparent, which feature the likes of horses and ships. [4]
In the middle-to-late 1970s, King produced intricate, hypnotic dreamscapes that powerfully blend animals, humans and inanimate objects into networked tapestries. During the 1980s, King began to reduce the representational content of her drawings, instead focusing on diagrammatic compositions with a cell- or map-like structure. [6]