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Some technologies portrayed as common in the film which had not materialized in the 2000s include commonplace civilian space travel, space stations with hotels, Moon colonization, suspended animation of humans, practical nuclear propulsion in spacecraft and strong artificial intelligence of the kind displayed by Hal.
In a recent interview, the astronaut said that the sound was like "someone knocking the body of the spaceship just as knocking an iron bucket with a wooden hammer." See fascinating photos of ...
Einstein's Unfinished Symphony: Listening to the Sounds of Space-Time is a 2000 non-fiction book by Marcia Bartusiak about the preliminary work preceding operational efforts to detect the gravitational waves predicted by Einstein's theory of general relativity.
Phonetics deals with two aspects of human speech: production (the ways humans make sounds) and perception (the way speech is understood). The communicative modality of a language describes the method by which a language produces and perceives languages. Languages with oral-aural modalities such as English produce speech orally and perceive ...
The sounds could potentially help astronomers and physicists unlock the secrets to how galaxies form and evolve. It's all just a matter of time before scientists can record the sounds inside your ...
Practically all contemporary writing in space intended for permanent record (e.g., logs, details and results of scientific experiments) is electronic. Hard copy is produced infrequently, as of 2019. The laptops used (as of 2012, IBM/Lenovo ThinkPads) need customization for space use, such as radiation-, heat- and fire-resistance. [6]
“The presence of repetitive, rising-tone chorus waves, where there is no effect due to the magnetic dipolar field, is beyond the traditional expectation and provides important, new insights into ...
The variety of noises is infinite. If today, when we have perhaps a thousand different machines, we can distinguish a thousand different noises, tomorrow, as new machines multiply, we will be able to distinguish ten, twenty, or thirty thousand different noises, not merely in a simply imitative way, but to combine them according to our imagination.