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The six images are reworkings of famous Japanese ghost stories, such as Tokaido Yotsuya Ghost Story and Kohata Koheiji Ghost Story, which were rendered in woodblocks by Edo artists. [ 33 ] Also creating contemporary yūrei-zu in a traditional style is American-born, Japanese-resident artist Matthew Meyer.
[9] [10] Legend says the yōkai in the parade were what became of old tools that suffered being discarded. [ 10 ] [ 9 ] [ a ] That is to say, a tool used a long time ( tsukumo ( 九十九 ) or 99 years) were said to evolve into spirits called tsukumogami ( 付 喪 神 ) .
One Hundred Ghost Stories (Japanese: 百物語, romanized: Hyaku monogatari) is a series of ukiyo-e woodblock prints made by Katsushika Hokusai (1760–1849) in the Yūrei-zu genre circa 1830. He created this series around the same time he was creating his most famous works, the Thirty-six Views of Mount Fuji series.
Closer to home, there's a historic ghost town in California's Bodie State park. People flooded Bodie during the gold rush of the late 1800s, but when the promise of riches faded, the place found ...
The Cheltenham Ghost was an apparition said to haunt a house in Cheltenham in western England. The building in Pittville Circus Road was the home of the Despard family who saw the ghost of a veiled woman on several occasions in the 1880s. [1] The Society for Psychical Research in London is the oldest institute of its kind in the world. Its ...
For many people, the word “ghost” conjures up one of two images: A menacing apparition that terrorizes unsuspecting homeowners, or a cute trick-or-treater covered in a white bed sheet.
Tsukioka Yoshitoshi's portrait of Okiku. An ukiyo-e print by Hokusai depicting Okiku, from his series One Hundred Ghost Stories. Banchō Sarayashiki (番町皿屋敷, The Dish Mansion at Banchō) is a Japanese ghost story (kaidan) of broken trust and broken promises, leading to a dismal fate.
Female Ghost is an ukiyo-e woodblock print dating to 1852 by celebrated Edo period artist Utagawa Kunisada, also known as Toyokuni III. Female Ghost exemplifies the nineteenth century Japanese vogue for the supernatural and superstitious in the literary and visual arts.