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This little lens brings big screen cinemascope perspective to mobile phones via a phone case for either the iPhone, Google Pixel, or Galaxy. This is great news for filmmakers on a budget chasing ...
When Moment announced an anamorphic lens, it really caught my attention. After all, the film Tangerine was shot on an iPhone 5S using an anamorphic lens from Moondog Labs, so I was excited to try ...
It has been squeezed by a ratio of 2:1 by an anamorphic camera lens. The anamorphic projection lens will stretch the image horizontally to show a normal round circle on the screen. Although CinemaScope was capable of producing a 2.66:1 image, the addition of magnetic sound tracks for multi-channel sound reduced this to 2.55:1.
A 50mm anamorphic lens with a 2x squeeze will have the horizontal view of a 25mm spherical lens, while maintaining the vertical view and depth of field of a 50mm. This has led to the common claim that anamorphic lenses have shallower focus, as the cinematographer must use a longer lens to obtain the same horizontal coverage.
In some cases, these names actually refer to different lens designs and technologies implemented; however, the great majority are simply re-branded lenses originally known by another name. In recent decades, it has generally been considered a cliché throwback, and thus the generic name of anamorphic format has become predominant.
It is still prevalent in projection systems, using anamorphic lenses, and supported by a number of consumer electronics devices, including Blu-ray players and video scalers. It is also used in computer monitors, where the term "21:9" can represent aspect ratios of 43:18 (2.3 8 :1 or 21.5:9) and 12:5 (2.4:1 or 21.6:9) in addition to 64:27.
Sarah Paulson stars as Diane Sherman, mom to teenager Chloe, played by Kiera Allen, who has spent her life in a wheelchair. Chronically ill, Kiera sticks close to her mother until she discovers ...
Both Ultra Panavision 70 and MGM Camera 65 employed an anamorphic lens with a 1.25x squeeze on a 65 mm negative (as opposed to 35 mm CinemaScope which used a 2× compression, or 8-perf, horizontally filmed 35 mm Technirama which used a 1.5× compression). When projected on a 70 mm print, a 1.25× anamorphic projection lens was used to ...