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The Best of The Moody Blues is a compilation album by the British progressive rock band The Moody Blues, released on 23 September 1996. The album marked the first time the band's only UK No. 1 single, 1964's "Go Now", was included on an official Moody Blues compilation album.
The Moody Blues scored three top-ten singles on the Billboard Hot 100, with "Nights in White Satin" reaching number 2 in Billboard and number 1 in Cashbox. On the UK singles chart , the group also had three top-ten hits, with " Go Now " reaching number 1.
The Moody Bluegrass project is a group of Nashville artists who have recorded two tribute albums of Moody Blues songs in the bluegrass style. The first album, Moody Bluegrass – A Nashville Tribute to the Moody Blues , was released in 2004.
It should only contain pages that are The Moody Blues songs or lists of The Moody Blues songs, as well as subcategories containing those things (themselves set categories). Topics about The Moody Blues songs in general should be placed in relevant topic categories .
The United Kingdom edition had 12 songs, while the United States release had only 10 in a different order. The editions released in the United States and Canada also had a different cover than the UK and European versions. This compilation was the final release by the Moody Blues' custom label, Threshold Records.
In January 1997, "Go Now" (without an exclamation mark) was released on The Very Best of the Moody Blues; [16] its release on this album was the first time it had been released on a Moody Blues compilation album. "Go Now" was also released on the subsequent Moody Blues two-disc compilation album Anthology. [17]
The actress in the video is Janet Spencer-Turner. In flashback scenes, the young Moody Blues are represented in the video by the British band Mood Six. [15] The video was recognized as the "best overall video" at the Billboard Video Music Conference held in Los Angeles in November 1986. Grant was awarded the top director honor. [16]
Classic Rock History critic Brian Kachejian rated it as the Moody Blues' 8th greatest song, calling it "a great song, a beautiful historic song." [20] Graeme Edge credits the song's belated success in 1972 to autonomous DJs in the United States who would play the song despite its length.