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The phrase Khoda Hafez (meaning May God be your Guardian) is a parting phrase commonly used in across the Greater Iran region, in languages including Persian, Pashto, Azeri, and Kurdish. Furthermore, the term is also employed as a parting phrase in many languages across the Indian subcontinent including Urdu , Punjabi , Deccani , Sindhi ...
However, the fuller meaning of tanzih is 'declaring incomparability', i.e. affirming God's transcendence from humanity. This concept is eternally juxtaposed with God's tashbih (closeness, or 'affirming similarity'). The literal meaning of the word is "to declare something pure and free of something else".
It contains only Matthew, Mark, Luke, John, Acts and Revelation. This was produced in literary Urdu by Islamic scholars. It includes the original Greek text of Codex Sinaiticus in the older uncial script, an Urdu word-for-word interlinear translation and an idiomatic translation. There are also some notes and commentary.
Sindhi folklore (Sindhi: لوڪ ادب) is composed of folk traditions which have developed in Sindh over many centuries.Sindh thus possesses a wealth of folklore, including such well-known components as the traditional Watayo Faqir tales, the legend of Moriro, the epic tale of Dodo Chanesar and material relating to the hero Marui, imbuing it with its own distinctive local colour or flavour in ...
Hindustani, also known as Hindi-Urdu, is the vernacular form of two standardized registers used as official languages in India and Pakistan, namely Hindi and Urdu.It comprises several closely related dialects in the northern, central and northwestern parts of the Indian subcontinent but is mainly based on Khariboli of the Delhi region.
Iqbal was aware of this and admitted that the word Khudi was chosen with great difficulty and most reluctantly because from a literary point of view it has many shortcomings and ethically it is generally used in a bad sense both in Urdu and Persian. Iqbal tells that he wanted a colorless word for self, having no ethical significance.
The tapestry installed behind the altar, at the north end of the nave in Coventry Cathedral. The tapestry depicts a seated Risen Christ, within an oval mandorla on a green background, surrounded by the four living creatures mentioned in Chapter 4 of the Book of Revelation, which are also symbols of the Four Evangelists.
Here, ʿAzāzīl's disobedience to refuse God's command is described as way to hallow God's name. According to him, ʿAzāzīl proved loyalty to God by declining to bow before Adam. Chapter Six is dedicated to the self-defence of ʿAzāzīl , and in one section Hallaj explains how each of the letters of ʿAzāzīl's name relate to his personality.