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Madrigal/song: 22: 1 piece in Il maggio fiorito arie, sonetti, madrigali: "Lasciatemi morire" (Lamento d'Arianna) 1–3 voices, basso continuo: G.B. Rocchigiani, Orvieto 1623: 5-section version of Lamento d'Arianna [11] 1623: Madrigal/song: 22, 141, 142: 3 monodic versions of Lamento d'Arianna: Solo voice, basso continuo: Monteverdi, Venice ...
It contains words and full music for some 60 of the madrigals and songs of the English Madrigal School. When selecting works for this book, Ledger decided to represent the major composers of 16th-century English music such as William Byrd and Thomas Morley with several madrigals, alongside individual works by lesser-known composers.
This is a list of compositions by Carlo Gesualdo (1566–1613), the Prince of Venosa. ... Scores at the International Music Score Library Project This page was ...
The following list includes almost all of the composers of the English Madrigal School who published works. Many of these were amateur composers, some known only for a single book of madrigals, and some for an even smaller contribution. Thomas Bateson (c 1570–1630) John Bennet (c 1575–after 1614) John Bull (1562–1628) William Byrd (1543 ...
A madrigal is a form of secular vocal music most typical of the Renaissance (15th–16th centuries) and early Baroque (1600–1750) [citation needed] periods, although revisited by some later European composers. [1]
This category is for songs of the English Madrigal School. Subcategories. This category has only the following subcategory. E. English madrigal composers (18 P)
Five Songs for voice and piano Invocation, Op. 16a (1940) for contralto; Beasts of Burden, Op. 16b (1940) for contralto; My Little Town (1972) for soprano or tenor; The Land Where My Heart Lies (1972) for soprano or tenor; High Flight (1942-1974) for tenor; Two choruses for female voices a cappella, Op. 18 (1946) Lullaby; Madrigal of Spring
Op. 3, Attente, song for voice and piano after Hugo (1871) Op. 4, Madrigal, song for voice and piano after Robert de Bonnières (1872) Op. 5, Jean Hundaye, symphony (1874-5) [cf. John Hunyadi] (rejected by composer) Op. 6, Antoine et Cléopâtre, overture after William Shakespeare (1876) Op. 7, Piano Quartet in A minor (1878–88)