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Typical live use of a multicore (thick cable on stage) Multicores usually create a link between the stage and sound desk, or live room and control room.When used in sound reinforcement, the multicore cable runs from the stage box or microphone splitter to the front-of-house sound desk, where it connects to a mixing console. [2]
† Although the mic input is usually mono, the input is still a TRS phone socket. Many mono 'computer' mics are fitted with TRS plugs. The tip is for the MIC and the ring is for power (to power an electret-condenser style MIC). There are exceptions to the above: Hosa cables use grey and orange for left and right analogue channels.
The increased capacitance of the star quad cable is not usually a problem with short cable runs, but it can be an issue for long cable runs. For example, an 8 m (25 ft) star-quad cable has a capacitance of 150 pF/m [ 10 ] for a total capacitance of 1200 pF for the entire length of cable.
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Photo: 2.5 mm mono (TS), 3.5 mm mono and stereo (TRS), and 1 ⁄ 4 inch (6.4 mm) stereo (TRS) phone connectors The most common microphone connector in consumer use is the venerable phone connector, in 1 ⁄ 4 inch (6.4 mm), 3.5 mm, and 2.5 mm sizes, and in both mono and stereo configurations.
Shure Brothers microphone, model 55S, multi-impedance "Small Unidyne" dynamic from 1951. A microphone, colloquially called a mic (/ m aɪ k /), [1] or mike, [a] is a transducer that converts sound into an electrical signal.
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