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Apocalypse Now is a 1979 American epic war film produced and directed by Francis Ford Coppola.The screenplay, co-written by Coppola, John Milius, and Michael Herr, is loosely inspired by the 1899 novella Heart of Darkness by Joseph Conrad, with the setting changed from late 19th-century Congo to the Vietnam War.
The Apocalypse Now Sessions is an album by the Rhythm Devils. Subtitled The Rhythm Devils Play River Music, and sometimes referred to by that name, it contains music that was recorded for the soundtrack of the film Apocalypse Now. It was released by Passport Records as a vinyl LP in 1980.
Randy Hansen (born December 8, 1954) is an American guitarist best known for his "Rock Tribute Act" honoring Jimi Hendrix. [1] [2] [3] He composed 17 minutes of the soundtrack for the 1979 movie Apocalypse Now, [1] (1980 Academy Award Winner for Best Sound).
On August 15, 1979, Francis Ford Coppola’s Apocalypse Now arrived in theaters. The film went on to earn eight nominations at the 52nd Academy Awards, including a nod in the best picture category ...
The Rhythm Devils duo were formally recruited by director Francis Ford Coppola to record the soundtrack to the film Apocalypse Now.During 1979 and 1980, Hart and Kreutzmann, along with other musicians (mostly percussionists), Airto Moreira, Mike Hinton, Jim Loveless, Greg Errico, Jordan Amarantha, Phil Lesh and Flora Purim, recorded sessions at the Grateful Dead's Marin County studios and "The ...
The New York City-born, Los Angeles-raised Estevez is still better known to the masses for his acting credits, which have afforded him a front-row seat to many maestros working behind the camera.
The album's title is a reference to the 1979 war film Apocalypse Now. In the United States, the album reached number 64 on the US Billboard 200, number 13 on the US Top R&B/Hip-Hop Albums and number 3 on both the Heatseekers Albums and Catalog Albums charts.
Apocalypse Now is Pere Ubu's third live album, and their first to document a single performance. The show in question, recorded on December 7, 1991, at Schubas Tavern in Chicago, was performed semi-acoustically, with synth-man Eric Drew Feldman instead handling an upright piano, and Jim Jones playing an amplified (and occasionally heavily distorted) acoustic guitar.