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Apocalypse Now is a 1979 American epic war film produced and directed by Francis Ford Coppola. The screenplay, co-written by Coppola, John Milius , and Michael Herr , is loosely inspired by the 1899 novella Heart of Darkness by Joseph Conrad , with the setting changed from late 19th-century Congo to the Vietnam War .
The use of the Doors song "The End", from their debut album, in the popular Vietnam War film, Apocalypse Now in 1979 and the release of the first compilation album in seven years, Greatest Hits, released in the fall of 1980, created a resurgence in the Doors. Due to those two events, an entirely new audience, too young to have known of the band ...
Apocalypse Now is Pere Ubu's third live album, and their first to document a single performance. The show in question, recorded on December 7, 1991, at Schubas Tavern in Chicago, was performed semi-acoustically, with synth-man Eric Drew Feldman instead handling an upright piano, and Jim Jones playing an amplified (and occasionally heavily distorted) acoustic guitar.
Randy Hansen (born December 8, 1954) is an American guitarist best known for his "Rock Tribute Act" honoring Jimi Hendrix. [1] [2] [3] He composed 17 minutes of the soundtrack for the 1979 movie Apocalypse Now, [1] (1980 Academy Award Winner for Best Sound).
On August 15, 1979, Francis Ford Coppola’s Apocalypse Now arrived in theaters. The film went on to earn eight nominations at the 52nd Academy Awards, including a nod in the best picture category ...
The Apocalypse Now Sessions is an album by the Rhythm Devils. Subtitled The Rhythm Devils Play River Music, and sometimes referred to by that name, it contains music that was recorded for the soundtrack of the film Apocalypse Now. It was released by Passport Records as a vinyl LP in 1980.
Apocalypse Now is a 1979 American epic war film. Apocalypse Now may also refer to: Apocalypse Now, a 1999 album by Pere Ubu; Apocalypse Now, a 1988 painting ...
The New York City-born, Los Angeles-raised Estevez is still better known to the masses for his acting credits, which have afforded him a front-row seat to many maestros working behind the camera.