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"Raising Kane" is a 1971 book-length essay by American film critic Pauline Kael, in which she revived controversy over the authorship of the screenplay for the 1941 film Citizen Kane. Kael celebrated screenwriter Herman J. Mankiewicz , first-credited co-author of the screenplay, and questioned the contributions of Orson Welles , who co-wrote ...
Citizen Kane is a 1941 American drama film directed by, produced by and starring Orson Welles and co-written by Welles and Herman J. Mankiewicz. It was Welles's first feature film. [5] Citizen Kane is frequently cited as the greatest film ever made. [6]
During World War II, Citizen Kane was not seen in most European countries. It was shown in France for the first time on July 10, 1946, at the Marbeuf theater in Paris. [7]: 34–35 [a] Initially most French film critics were influenced by the negative reviews of Jean-Paul Sartre in 1945 and Georges Sadoul in 1946.
Citizen Kane: A Filmmaker’s Journey describes Welles' rise to prominence, the creative control he received in his first Hollywood contract, studio infighting over the project at RKO Radio Pictures, the pressurized production schedule, the plot by the Hearst Corporation – critical of the similarity between real-life publisher William Randolph Hearst and the character of Charles Foster Kane ...
Charles Foster Kane is a fictional character who is the subject of Orson Welles' 1941 film Citizen Kane. Welles played Kane (receiving an Academy Award nomination), with Buddy Swan playing Kane as a child. Welles also produced, co-wrote and directed the film, winning an Oscar for writing the film.
The assumption that the character of Susan Alexander Kane was based on Marion Davies was a major reason Hearst tried to destroy Citizen Kane. [34] Davies's nephew Charles Lederer insisted that Hearst and Davies never saw Citizen Kane, but condemned it based on the outrage expressed by trusted friends. Lederer believed that any implication that ...
The day Saturday is omitted – this is because, as explained by Jeff Lynne: "The football match is played on a Saturday". The music video references Citizen Kane in its ending, showing a closeup of Jeff Lynne saying "Horace Wimp," echoing Orson Welles ' character in the film saying "Rosebud" as he dies.
Xanadu makes great use of Gothic architecture and, except in the opening newsreel, it always appears in the film at night with fog surrounding it, giving it an ominous look; for Kane, Xanadu becomes more of a prison than a refuge. Xanadu's interior especially does not appear at all homey or cozy, symbolizing the emptiness of Kane's later life.