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The museum collection features decorative ceramic tiles or azulejos from the second half of the 15th century to the present day. Besides tiles, it includes ceramics, porcelain and faience from the 19th to the 20th century. Its permanent exhibition starts with a display of the materials and techniques used for manufacturing tiles.
Panel of the Battle of Aljubarrota by Portuguese artist Jorge Colaço, 1922. Azulejo (Portuguese: [ɐzuˈle(j)ʒu, ɐzuˈlɐjʒu], Spanish:; from the Arabic الزليج, al-zillīj) [1] [2] is a form of Portuguese and Spanish painted tin-glazed ceramic tilework.
Glazed architectural terra cotta is a ceramic masonry building material used as a decorative skin. It featured widely in the 'terracotta revival' [1] from the 1880s until the 1930s. It was used in the UK, United States, Canada and Australia and is still one of the most common building materials found in U.S. urban environments.
Porcelain tiles or ceramic tiles are either tiles made of porcelain, or relatively tough ceramic tiles made with a variety of materials and methods, that are suitable for use as floor tiles, or for walls. They have a low water absorption rate, generally less than 0.5 percent. The clay used to build porcelain tiles is generally denser than ...
The pattern appears inlaid into the body of the tile, so that the design remains as the tile is worn down. Encaustic tiles may be glazed or unglazed and the inlay may be as shallow as 1 ⁄ 8 inch (3 mm), as is often the case with "printed" encaustic tile from the later medieval period, or as deep as 1 ⁄ 4 in (6.4 mm).
Sample work from the tile plant established by Henry Chapman Mercer, now the Mercer Museum. Handmade tiles are still produced in a manner similar to that developed by the pottery's founder and builder, Henry Chapman Mercer. Tile designs are reissues of original designs. Mercer was a major proponent of the Arts and Crafts movement in America. He ...