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Essentially, it was a straight trumpet like the tuba, to which an animal-horn trumpet was attached to act as a bell; it is not unlike the Celtic carnyx. The lituus was a cult instrument used in Roman rituals and does not appear to have had any military uses, though the term was later used in the Middle Ages to denote a military trumpet.
The art of the trumpet-maker: the materials, tools, and techniques of the seventeenth [sic] and eighteenth centuries in Nuremberg. Oxford [England]: Clarendon Press. ISBN 0-19-816223-5. Bate, Philip (1978). The trumpet and trombone : an outline of their history, development, and construction (2nd ed.). London: E. Benn. ISBN 0-393-02129-7.
This is a category of templates that generate timelines. A few of them are a specific timeline used in one article context. Others are parameterizable templates, used to generate a particular type of timeline visualization, in multiple contexts.
[[Category:History timeline templates]] to the <includeonly> section at the bottom of that page. Otherwise, add <noinclude>[[Category:History timeline templates]]</noinclude> to the end of the template code, making sure it starts on the same line as the code's last character.
History timeline templates (3 C, 45 P) Timelines by year templates (4 P) W. War and conflict templates (13 C, 30 P) Y. Templates by year (16 C, 35 P)
[[Category:Music history templates]] to the <includeonly> section at the bottom of that page. Otherwise, add <noinclude>[[Category:Music history templates]]</noinclude> to the end of the template code, making sure it starts on the same line as the code's last character.
Since this still lacks scientific confirmation, rampant speculation continues about potential extra-terrestrial theories for these "trumpet noises." But don't count NASA as a UFO-doubter just yet.
The term "baroque trumpet" has come to mean a version of the original natural trumpet, with changes to suit modern players, who tend to play both the modern trumpet and this hybrid. The hybrid instrument is most often employed by period instrument ensembles when choosing historically informed performance practice. Originals are seldom used ...