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Ping-pong recording (also called ping-ponging, bouncing tracks, or reduction mixing) is a method of sound recording. It involves combining multiple track stems into one, allowing more room for overdubbing when using tape recorders with a limited set of tracks. It is also used to simplify mixdowns. The two most common methods consist of
Dialogue, music and sound effects, called "D-M-E", are brought to the final mix as separate stems. Using stem mixing, the dialogue can easily be replaced by a foreign-language version, the effects can easily be adapted to different mono, stereo and surround systems, and the music can be changed to fit the desired emotional response.
This disappearance has been widely documented in books and documentaries (among them Black Noise and Scratch), and was linked to the increased use of DAT tapes and other studio techniques that would ultimately push the DJ further away from the original hip-hop equation of the MC as the vocalist and the DJ as the music provider alongside the ...
Alignment of beats in the beatmatching process. Beatmatching or pitch cue is a disc jockey technique of pitch shifting or time stretching an upcoming track to match its tempo to that of the currently playing track, and to adjust them such that the beats (and, usually, the bars) are synchronized—e.g. the kicks and snares in two house records hit at the same time when both records are played ...
Songbook (Nick Hornby book) Songs in the Key of Z; Songs of Praise (hymnal) The Songs of the Tyne by Walker; Sound Bites: Eating on Tour with Franz Ferdinand; Sounds Like London; A Southern Music: The Karnatik Story; Space Opera (1996 anthology) Stephen Fry's Incomplete and Utter History of Classical Music; The Stereo Record Guide; The Story of ...
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