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The modern use of the phrase is generally attributed to Fred R. Barnard. Barnard wrote this phrase in the advertising trade journal Printers' Ink, promoting the use of images in advertisements that appeared on the sides of streetcars. [6] The December 8, 1921, issue carries an ad entitled, "One Look is Worth A Thousand Words."
The image was inspired by a British recruitment poster showing Lord Kitchener in a similar pose. [ citation needed ] It is this image more than any other that has influenced the modern appearance of Uncle Sam: an elderly white man with white hair and a goatee , wearing a white top hat with white stars on a blue band, a blue tail coat , and red ...
Wikiquote is one of few online quotation collections that provides the opportunity for visitors to contribute [6] and the very few which strive to provide exact sources for each quotation as well as corrections of misattributed quotations. Wikiquote pages are cross-linked to articles about the notable personalities on Wikipedia.
Famous people, famous quotes. Many of the most memorable quotations are attributed to famous people (whether they actually said them or not!). In honor of Reader’s Digest’s 100th anniversary ...
The phrase "I know it when I see it" is a colloquial expression by which a speaker attempts to categorize an observable fact or event, although the category is subjective or lacks clearly defined parameters.
Walk down Reader's Digest memory lane with these quotes from famous people throughout the decades. The post 100 of the Best Quotes from Famous People appeared first on Reader's Digest.
The visual image (from Bernard of Chartres) appears in the stained glass of the south transept of Chartres Cathedral. The tall windows under the rose window show the four major prophets of the Hebrew Bible (Isaiah, Jeremiah, Ezekiel, and Daniel) as gigantic figures, and the four New Testament evangelists (Matthew, Mark, Luke, and John) as ...
German art historian Benjamin H. D. Buchloh suggests that the core tenet of Warhol's aesthetic, being "the systematic invalidation of the hierarchies of representational functions and techniques" of art, corresponds directly to the belief that the "hierarchy of subjects worthy to be represented will someday be abolished;" hence, anybody, and therefore "everybody," can be famous once that ...