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The vuvuzela / v uː v uː ˈ z ɛ l ə / is a horn, with an inexpensive injection-moulded plastic shell about 65 centimetres (2 ft) long, which produces a loud monotone note, typically around B♭ 3 [2] (the first B♭ below middle C). [3] Some models are made in two parts to facilitate storage, and this design also allows pitch variation.
He was born in Nuremberg and was a member of the Haas family of brass instrument makers. [1] His baroque trumpets were used in courts across Germany and he carried on correspondence with court purveyors about repairs and replacements. He engraved his signature on the trumpets he repaired and replaced. He died in Nuremberg. [1]
Renold Schilke (1910–1982), principal trumpet of the Chicago Symphony and instrument maker, performed as a member of the Holton-sponsored Chicago Symphony Brass Ensemble in the 1950s. Philip Farkas (1914–1992), principal horn of the Chicago Symphony, left what became Schilke Music Products in 1956 and joined with Holton, designing the ...
When the German-born John Köhler came to England he joined the Royal Lancashire Volunteers in the summer of 1782, [1] but by 1786 he had moved to London and set himself up as a trumpet and French horn maker. He set up shop at 9 Whitcomb Street, but by 1794 had removed to premises at 89 St James's Street, Piccadilly.
In making the bell of, for example, a trumpet, a person lays out a pattern and shapes sheet metal into a bell-shape using templates, machine tools, handtools, and blueprints. The maker cuts out the bell blank, using hand or power shears. He hammers the blank over a bell-shaped mandrel, and butts the seam, using a notching tool.
David G. Monette (born 1956, Kalamazoo, Michigan) is an American craftsman who designs and builds custom brass instruments and mouthpieces for musicians. [1] [2]Monette's experience as a trumpeter and the influence of acoustician Arthur Benade led Monette to redesign the trumpet mouthpiece with the goal of improving playability and sound quality.
Vincent Bach (March 24, 1890 – January 8, 1976) was a musician and instrument maker, who founded the ... he was performing as principal trumpet with the ...
In fact, it could be argued that the concertos of Haydn and Molter represent the zenith of the natural trumpet in terms of technical demands, containing as they do some of the highest notes ever penned for the trumpet in symphonic works (in the case of Haydn, a G above high C – the 24th harmonic on a natural instrument).