Search results
Results From The WOW.Com Content Network
Elrond Half-elven is a fictional character in J. R. R. Tolkien's Middle-earth legendarium. Both of his parents, Eärendil and Elwing , were half-elven , having both Men and Elves as ancestors. He is the bearer of the elven-ring Vilya , the Ring of Air, and master of Rivendell , where he has lived for thousands of years through the Second and ...
"The Council of Elrond" is the second chapter of Book 2 of J. R. R. Tolkien's bestselling fantasy work, The Lord of the Rings, which was published in 1954–1955.It is the longest chapter in that book at some 15,000 words, and critical for explaining the power and threat of the One Ring, for introducing the final members of the Company of the Ring, and for defining the planned quest to destroy it.
Gandalf is a protagonist in J. R. R. Tolkien's novels The Hobbit and The Lord of the Rings. ... Gandalf helps Elrond drive off the Nazgûl pursuing Frodo, ...
Elrond: Ruler of the elven refuge of Rivendell. Son of the Half-elves Eärendil and Elwing, husband of Celebrían, father of Arwen, Elladan and Elrohir. Éomer: Brother of Éowyn, nephew and heir of Théoden, King of Rohan. Son-in-law of Prince Imrahil of Dol Amroth. Éowyn: Sister of Éomer and member of the royal house of Rohan.
Meanwhile, Galadriel, Elrond, and Saruman arrive at Dol Guldur and free Gandalf, sending him to safety with Radagast. They battle and defeat the Nazgûl and then face a formless Sauron. Galadriel banishes him and his forces and says he will go to the East.
In the concluding film, The Return of the King (2003), the final wearers of the Three Rings—Gandalf (Ian McKellen), Elrond (Hugo Weaving), and Galadriel, appear openly at the Grey Havens wearing the Three, with Galadriel proclaiming the end of its power and the beginning of the Dominion of Men. [38]
Hugo Weaving played Elrond in Peter Jackson’s trilogies of “The Lord of […] Robert Aramayo had no idea when he first auditioned for “The Lord of the Rings: The Rings of Power” that the ...
Tolkien, on the other hand, can be highly mimetic in omniscient narrative, as in the Riders of Rohan passage; and non-focalising characters like Tom Bombadil, Elrond, and Gandalf can provide important messages, as when Gandalf says "Many that live deserve death. And some that die deserve life. Can you give it to them?" [8]